Rate My Professor Michele Greet

Greet authored Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960 (Penn State University Press, 2009) and Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918-1939 (Yale University Press, 2018). She co-edited Art Museums of Latin America: Structuring Representation (Routledge, 2018) with Gina M. Tarver. Key publications include “Two Pioneering Women bring Abstraction to the Andes” in Historical Narratives of Global Modern Art: An Anthology (Routledge, 2023), “Evoking Place: María Luisa Pacheco’s Abstract Paintings” in Archives of American Art Journal (2022), “Latin American Artists at the Académie Lhote” (University of Innsbruck Press, 2020), and “Looking South: Lincoln Kirstein and Latin American Art” for the Museum of Modern Art exhibition catalogue (2019). She has contributed essays to catalogues for Museu de Arte de São Paulo Assis Chateaubriand, Los Angeles County Museum of Art, and El Museo del Barrio. Greet's honors include National Endowment for the Humanities Fellowships for Abstraction in the Andes (2020-2021) and Transatlantic Encounters (2012-2013), the Millard Meiss Publication Grant (2016), a Post-Doctoral Research Fellowship at the Center for the Study of Modern Art, The Phillips Collection (2008-2009), and a Getty Foundation publication grant (2008). She lectures widely on modern Latin American art.