Rate My Professor Jacqueline Dutton

Dutton has an extensive publication record in French studies. Key works include her edited volume Wine, Terroir and Utopia: Making New Worlds (Routledge, 2018, with Peter J. Howland), Le Rêve tasmanien: Utopia at the end of the earth (2016), Jazz Adventures in French Culture (2006), and contributions to volumes on transnational French studies and utopian paradigms. Selected articles are 'Internationalisation of the curriculum in an Arts foundation subject: A collaborative autoethnography' (2024), 'Perception and Acceptability of Artificial Intelligence Applications in Viticulture and Wine by Consumers from Mexico and Australia' (2024), 'Pourquoi terroir? Reflections on French influences on Australian winemakers' senses of place' (2023), 'Geographical Turns and Historical Returns in Narrating French Wine Culture', 'The Translingual Turn and French Literary Prize-winners: Mohamed Mbougar Sarr’s La plus secrète mémoire des hommes (2021)' (2024), 'Shadow zones: dark travel and postcolonial cultures' (2015), 'J.M.G. Le Clézio: A Concerned Citizen of the Global Village' (2013), 'Francophonie and its Futures: Utopian, Digital, Plurivocal' (2011), 'Imagining Australia: Avatars of the Utopian Paradigm in French Writings on Australia' (2003), and 'Feeding Utopian Desires: Examples of the Cockaigne Legacy in French Literary Utopias' (2002). Her scholarship advances understandings of cultural history, memory, and transcultural products in contemporary French and Francophone contexts.