Rate My Professor Charles Green

Throughout his career, Green has held significant positions, including Senior Lecturer in the School of Art History, Cinema, Classical Studies and Archaeology at the University of Melbourne from 2001 to 2004, and Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria from 2001 to 2006. In the latter role, he directed large curatorial teams that organized pivotal exhibitions, such as the museum-wide Fieldwork installation of modern and contemporary Australian art at NGVA Federation Square in 2001, funded by an ARC Large Grant. He advanced to Professor in 2011. Green has secured multiple Australian Research Council grants, including a 2022 Linkage Project and Discovery Project DP110100644 with Anthony Gardner. His influential publications encompass books like Biennials, Triennials and Documenta: The Exhibitions that Created Contemporary Art (2016, co-authored with Anthony Gardner), The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001), and Peripheral Vision: Contemporary Australian Art 1970-94 (1995). He has also authored numerous articles, including ‘That dastardly plot’: garden as weapon of war and peace (2021), Revisioning Australia’s War Art: Four Painters as Citizens of the ‘Global South’ (2018), and South as Method? Biennials Past and Present (2015), contributing substantially to discourses on global exhibitions, war art, and collaborative practices in the field of contemporary art.