Rate My Professor Brian Price

Price authored the monographs A Theory of Regret (Duke University Press, 2017) and Neither God Nor Master: Robert Bresson and Radical Politics (University of Minnesota Press, 2011). He co-edited On Michael Haneke (Wayne State University Press, 2010) with John David Rhodes and Color, the Film Reader (Routledge, 2006) with Angela Dalle Vacche. Selected essays include “The Displacement Project” in Discourse (2016), “Eternally Early” in New Silent Cinema (2015), “The Steady Unsteadiness of Theory” in New Review of Film and Television Studies (2014), “Aesthetic Inequality and Political Seriousness” in World Picture (2014), and “Color, Melodrama, and the Problem of Interiority” in A Companion to Rainer Werner Fassbinder (2012). Price is a founding co-editor of the journal World Picture, alongside John David Rhodes and Meghan Sutherland, and editor of the book series Superimpositions: Philosophy and the Moving Image for Northwestern University Press. He is completing a book entitled Assayas and Political Seriousness on French filmmaker Olivier Assayas. His teaching encompasses undergraduate courses such as The Films of Alfred Hitchcock, The Films of Martin Scorsese, Global Auteurs, Film Noir and the Problem of Style, and Colour, and graduate seminars including Adorno and Media Theory, Contemporary Political Philosophy and the Moving Image, The Image of Equality: Jacques Rancière’s Film Philosophy, and Cinema and Moral Perfectionism: Stanley Cavell.